I'M SURPRISED NO ONE HAS COMMENTED ON THIS ONE. IT'S ABSOLUTELY ONE OF MY FAVORITES YOU'VE EVER DONE, AND ALL YOUR WORK HAS BEEN INCREDIBLE. PLEASE STICK WITH THE OCCASIONAL FACE PHOTOSHOP WORK. YOU DO IT WELL. I ONLY WISH I COULD SEE THE LOOK IN HER SISTER'S EYES WHILE SHE'S BEING USED.
Honestly, this one just kind of fell together. Photo-manipulations on inanimate TF sites are kind of a pet peeve of mine, because most of them are so bad that the caption would be stronger without the lame Photoshop work. Crudely cut-out faces pasted into transparency layers over objects don't really do anything for me.
Here, I'd actually been planning to do a different sequence with no manipulations, but then I was noodling around and created the main image on page 3 and decided to run with it. I can't promise I'll do these very frequently, as they're pretty time-consuming and involve a lot of luck in terms of finding appropriate source material. But I do enjoy them, and would like to do some more.
I'M SURPRISED NO ONE HAS COMMENTED ON THIS ONE. IT'S ABSOLUTELY ONE OF MY FAVORITES YOU'VE EVER DONE, AND ALL YOUR WORK HAS BEEN INCREDIBLE. PLEASE STICK WITH THE OCCASIONAL FACE PHOTOSHOP WORK. YOU DO IT WELL. I ONLY WISH I COULD SEE THE LOOK IN HER SISTER'S EYES WHILE SHE'S BEING USED.
ReplyDeleteHonestly, this one just kind of fell together. Photo-manipulations on inanimate TF sites are kind of a pet peeve of mine, because most of them are so bad that the caption would be stronger without the lame Photoshop work. Crudely cut-out faces pasted into transparency layers over objects don't really do anything for me.
ReplyDeleteHere, I'd actually been planning to do a different sequence with no manipulations, but then I was noodling around and created the main image on page 3 and decided to run with it. I can't promise I'll do these very frequently, as they're pretty time-consuming and involve a lot of luck in terms of finding appropriate source material. But I do enjoy them, and would like to do some more.